A product of naivety, inebriation and youthful hubris, Sick Birds Die Easy is as infuriating as it is impossible to look away from. Nicholas...

Chris Strachwitz prefers music that roars. For a sound to capture the German record fanatic's attention, it has to be bursting at the seams...

With an estimated 2.4 billion Internet users, companies worldwide are targeting this staggering global community in new ways, scrambling to...

Brian Pfeifle (now known as "Felix" Pfeifle after a legal name change) is, like many modern middle-class homosexuals, a rampant aesthete, ty...

Early in Just the Right Amount of Violence, John Bang Carlsen's coyly pious bit of vérité experimentation, there's a scene where interventio...

As interesting and heartfelt as Phie Ambo's look at the usefulness of treating Post Traumatic Stress Syndrome and Attention Deficit (is it i...

In a way, the works of director Barry Avrich reflect his background in advertising and marketing perfectly, playing as the sort of uninspire...

No other title could so accurately sum up the subject of filmmaker John Paskievich's suitably impartial glimpse into the life and mind of ec...

Given unprecedented access to the inner workings of a gang operating in the squalor of Cape Flats, South Africa, Riaan Hendricks offers a lo...

By turns uproariously funny, disturbingly sad and downright exhilarating, Shooting Bigfoot jumps headlong into a strange subculture and emer...

Nobel intentions don't amount to squat without a realistic plan of action. The basic idea – film amateur nature porn and make it avail...